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Download Stevie Smith And Authorship Oxford English Monographs 2010

Gather Together in My Name. Eliot, D. Lawrence, E Letters of Sylvia Plath : Volume 1. The Terrible. Hitler's Daughter: the play adapted from Jackie French's novel. A Moveable Feast. Coupled with theory, May's archival research reveals moments of surprise for the Smith scholar who may not have had access to the Smith archives at the McFarlin Library Special Collections at the University of Tulsa. For instance, in chapter six he lists the many critics who have noted the incongruity between the male speaker of Smith's most famous poem, "Not Waving But Drowning" and the drawing of a female figure.

Then, in a wonderful reveal, he includes the original illustration for the poem, taken from a typed proof. The drawing depicts a presumably dead man being pulled out of the sea.

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As such, it serves as a more clear illustration of the poem, but one that Smith ultimately rejected in favor of a drawing that would stand in a more hermeneutically challenging manner between the reader and the text. May's book provides a rich overview of Smith, her critics and readers, and her archives.

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Since he takes a reader-response approach, I feel justified in adding that as a feminist reader, I noticed the great pains he takes in avoiding feminist critique. In chapter one, he only traces a male poetic lineage for Smith and disagrees in a sentence with the many convincing feminist readings of her revisionist fairy tales. In chapter four, he allows for the possibility of the pseudonym "Stevie" to be an authorial veil that might have different implications for women than for men, but the defense of this argument, in the form of Sandra M.

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The numerous, successful feminist readings of Smith do not have to dismissed in order for another study to be effective. As May himself argues in his closing lines, "[Smith's] readers, far from providing a distraction or impediment to her art, are in fact the most important cog in its wheel" p. Julie Steward is Associate Professor of English at Samford University, where she teaches courses in modern poetry, literary theory, and creative writing.

Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. To get the free app, enter your mobile phone number. Would you like to tell us about a lower price? If you are a seller for this product, would you like to suggest updates through seller support? This book is a full-length study of the British novelist, poet, and illustrator Stevie Smith It draws on extensive archival material to offer new insights into her work, challenging conventional readings of her as an eccentric.

It reveals the careful control with which she managed her public persona, reassesses her allusive poetry in the light of her own conflicted response to written texts, and traces her simultaneous preoccupation with and fear of her reading public.

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William May considers the influence of artists such as George Grosz and Aubrey Beardsley on her apparently artless illustrations and explores her use of fiction and book reviews as a way of generating contexts for her poetry, offering readers a fascinating in-depth study that not only radically alters our understanding of Smith and her work, but provides new perspectives on British twentieth-century poetry and its reception.

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