- Remarketing Made Simple: A Step-by-Step Guide
- Joe Redington, Sr. (Father of Iditarod)
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- Movies that you may have easily missed, but really deserve an audience!
- A Dog's Way Home
All art is a form of decoration. Next, draw the square foot in front of you. This can be tight, loose, abstract, realistic. It tells you what you missed seeing. This will be your first masterpiece. Now draw the same square foot from the other side. For instance, on the subway, while waiting or sitting around, practice drawing your own hands. Lots of hands on the same page, hands over other hands. You can draw other parts of your body that you can see, too. But you have to look and then describe with your pencil or pen what you see.
Mirrors are fine, even if you want to draw only where your cheek turns into your mouth. Play with different scales, make things bigger, smaller, twisted. You are now in possession of ancient secret knowledge. Artistic skill has nothing to do with technical proficiency, mimetic exactitude, or so-called good drawing. For every great artist, there is a different definition of skill. Pollock could not draw realistically, but he made flicking paint at a canvas from above, for a time, the most prized skill in the art world.
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What does this mean? An object should express ideas ; art should contain emotions. And these ideas and feelings should be easy to understand — complex or not. These days, an artist might exhibit an all-brown painting with a long wall text informing us that the artist took the canvas to Kosovo near the site of a s Serbian massacre and rubbed dirt on the canvas for two hours while blindfolded to commemorate the killing.
These are just dumb pictures of clouds and have nothing to do with anything. There is a different way. In the winter of , Marcel Duchamp, age 29, bought a urinal at J. Fountain is an aesthetic equivalent of the Word made flesh, an object that is also an idea — that anything can be an artwork. Today it is called the most influential artwork of the 20th century. When we see cave paintings, we are seeing one of the most advanced and complex visual operating systems ever devised by our species. The makers of the work wanted to portray in the real world something they had in their head and make that information readable to others.
It has lasted tens of thousands of years. With that in mind …. Exercise: Build a Life Totem Using any material on any surface, make or draw or render a four-foot-tall totem pole of your life. From this totem, we should be able to know something about you other than what you look like or how many siblings you have.
Include anything you want: words, letters, maps, photos, objects, signs. This should take no longer than a week. Now show it to someone who does not know you well. Ask them to tell you what it means about your life. No clues. Listen to what they tell you. Then exaggerate it. Do it again. Do it times or 1, times. Imagine the horror Philip Guston must have felt when he followed his own voice and went from being a first-string Abstract Expressionist in the s to painting clunky, cartoony figures smoking cigars, driving around in convertibles, and wearing KKK hoods!
He was all but shunned for this. He followed his voice anyway. This work is now some of the most revered from the entire period. In your downtime …. Exercise: An Archaeology Make an index, family tree, chart, or diagram of your interests. All of them, everything: visual, physical, spiritual, sexual. Leisure time, hobbies, foods, buildings, airports, everything. Every book, movie, website, etc.
The totality of this self-exposure may be daunting, scary. But your voice is here. This will become a resource and record to return to and add to for the rest of your life. I have my own sort of School of Athens in my head.
Remarketing Made Simple: A Step-by-Step Guide
A team of rivals, friends, famous people, influences dead and alive. All make observations, recommendations, etc. I use music a lot. Like Beethoven. Or the Barbara Kruger in my head says, Make this sentence short, punchy, declarative, aggressive. Led Zeppelin chimes in with, Try a hairy experiment here; let it all show.
Lawrence is pounding on the table, Alexander Pope is making me get a grip, Wallace Stevens listens to my language and recommends words, Whitman pushes me on, my inner Melville gets grandiose, and Proust drives me to make longer and longer sentences till they almost break, and my editor cuts these into eighths or edits them down to one. Writers need editors. No exceptions. These voices will always be there for when things get tough.
It is probably you. Exercise: Make a List of Art Make a list of three artists whose work you despise. Make a list of five things about each artist that you do not like; be as specific as possible. Really think about this. Life is your syllabus: Gather from everywhere.
Originality did not conveniently die just in time for you and your generation to insist it no longer exists. You just have to find it. You can do this by looking for overlooked periods of art history, disliked and discredited styles, and forgotten ideas, images, and objects. Then work them into your own art times or 1, times. This is the fun part. Okay, this sounds ridiculous, but call your dog and it comes right over to you, placing its head in your lap, slobbering, wagging its tail: a miraculous direct communication with another species.
Now call your cat. It might look up, twitch a bit, perhaps go over to the couch, rub against it, circle once, and lie down again. What am I saying? In seeing how the cat reacted, you are seeing something very close to how artists communicate. The cat is not interested in direct communication. The cat places a third thing between you and it and relates to you through this third thing. Cats communicate abstractly, indirectly. Art does something. In the past years or so, art has been reduced to being mainly something we look at in clean, white, well-lit art galleries and museums.
Art has been limited this way, made a passive thing: another tourist attraction to see, take a picture in front of, and move on from. But for almost its entire history, art has been a verb, something that does things to or for you, that makes things happen. Holy relics in churches all over the world are said to heal. Art has been carried into war; made to protect us, curse a neighbor, kill someone; been an aid in getting pregnant or preventing pregnancy. There are huge, beautiful, multicolored, intricately structured Navajo sand paintings used in ceremonies to ask the gods for assistance.
The eyes painted on Egyptian sarcophagi are not there for us to see; they are there so the interred person can watch. The paintings inside the tombs were meant to be seen only by beings in the afterlife. Have you ever cried in front of a work of art? Write down six things about it that made you cry.
Tack the list to your studio wall. Those are magical abracadabras for you. One of the most crucial lessons there is! The content might be a rebellion or an indictment of religion. It might be claustrophobia or hysteria or the madness of religion or civilization. The content might be grace, beauty — he was just 17, if you know what I mean — pensiveness, physical awareness, timelessness, eternal things, a form of perfection, vulnerability.
This content is High Renaissance. When you look at art, make subject matter the first thing you see — and then stop seeing it. Try to find the content in a painting by Robert Ryman, who has been making almost-all-white work since the s.
Joe Redington, Sr. (Father of Iditarod)
What is white to Ryman? Note the date: Why would he make this painting then? Would this have looked like other art at the time? How would it have been different? Ask yourself what else was being made then. How is the work hung on the wall? Is it in a frame? Is the stretcher or surface thick, thin, close to the wall? Is the surface sensual or intellectual? Does the painter want you to see the work all at once or in parts? Are some parts more important than others? Is every part of the surface supposed to be equally important?
Do you think this artist likes painting or is trying to paint against it? Is this anti-art? How do you think he made the work? How might it be original or innovative? Why should this be in a museum? Why should it not be in a museum? Would you want to live with it? Why or why not? Why do you imagine the painting is this size? Now try a Frida Kahlo. Artists see very differently: They get very close to a work; they inspect every detail, its textures, materials, makeup; they touch it, look at the edges and around the back of the object.
What are the artists doing?
You can steal from anything. You should! You better! Bad art teaches you as much as good art. Maybe more! This is because it is made by somebody. All art is a confession, more or less oblique. Never forget this, that all art was made by artists for and in reaction to their time. It will make you less cynical and closed off and more understanding and open to everything you ever see.
Please do this! It applies to all of us. A guide to the snake pit.
Even though all we see of the art world these days are astronomical prices, glitz, glamour, and junkie-like behavior, remember that only one percent of one percent of one percent of all artists become rich off their artwork. You may feel overlooked, underrecognized, and underpaid. Too bad. But be careful. But … if you marry a rich person and have lots of money, would you be satisfied with just the money? A lot of successful people are unhappy. Success and happiness live on different sides of the tracks. Do you want the real definition of success? The best definition of success is time — the time to do your work.
You will work full time for a long time. You will be depressed because of this for a long time — resentful, frustrated, envious. Soon you figure out a way to work only four days a week; you start to be a little less depressed. But you are really sneaky and resourceful; this is a life-and-death matter to you. Eventually — and this comes for fully 80 percent of the artists I have ever known — you scam a way to work an only-three-days-a-week job. You may work in a gallery; for an artist or a museum; as a teacher, an art critic, an art handler, a bookkeeper, a proofreader, whatever.
Now get to work. Or quit being an artist. Exactly how many? It would be best if these critics were of your generation, not geezers like me. It would be nice to have one or two curators of your generation or a little older who would put you in shows from time to time. Twelve people. Surely your crappy art can fake out 12 stupid people!
Descripción de editorial
Castelli immediately offered Johns his first solo show. Visitors asked for the key to the room at the front desk. They went upstairs, unlocked the door, and entered a small studio apartment facing 23rd Street. Any of the works could have been stolen; none were. Moreover, its routing is far from a direct course, taking about 1, miles to go the or so airline miles from Anchorage to Nome. In addition, the race committee has routed the race to pass through a number of towns and villages missed by the original trail, and has adopted a northern route for even-numbered years to include more villages along the Yukon.
Movies that you may have easily missed, but really deserve an audience!
In odd numbered years the middle part of the race largely follows the original trail, from Ophir through Iditarod, Shageluk, Anvik, Grayling, and Eagle Island to Kaltag. In even years, it swings north from Ophir to Cripple, Ruby heart of another old mining district , Galena, Nulato, and on to Kaltag. There were two short races using nine miles of the Iditarod Trail in and Sprint races.
The idea of having a race over a portion of the Iditarod Trail was conceived by the late Dorothy G. Page was intrigued that dog teams could travel over land that was not accessible by automobile. They traveled by boat to the coastal towns of Seward and Knik and from there, by land into the gold fields. In the winter, their only means of travel was by dog team.
Mail was carried across this trail, people used the trail to get from place to place and supplies were transported via the Iditarod Trail. Priests, ministers and judges traveled between villages via dog team. All too soon the gold mining began to slack off. People began to go back to where they had come from and suddenly there was less travel on the Iditarod Trail.
The final blow to the use of the dog team came with the appearance of snowmobiles in Alaska. Dorothy G. Soon the Pages and the Redingtons began promoting the idea of the Iditarod Race to the extent that Joe and Vi Redington moved to the Knik area from their homestead at Flat Horn Lake and they have never moved back. Flat Horn Lake is approximately 30 miles out of Knik. The sprint race from Knik to Big Lake and back again was a two day event covering 56 miles.
Contestants from all over Alaska and even two contestants from Massachusetts entered that first race on the Iditarod Trail , but a newcomer, Isaac Okleasik, from Teller, Alaska, won the race with his team of large working dogs. The sprint race was put on only one more time in Joe never gave up on looking for a way to preserve the history of the Iditarod Trail and began talking to friends about a long distance race.
The goal was to have the race go to the goldrush ghost town of Iditarod in However, in , the decision was made to take the race the 1, miles all the way to Nome. Howard Farley and the residents in Nome were instrumental in getting the northern portion of the race organized.
Meanwhile, the U. Army reopened the southern portion of the trail between Fairwell Lake and Knik as part of a winter exercise. Then others volunteered. There were many who believed it was crazy to send a bunch of mushers out into the vast uninhabited Alaskan wilderness. But the race went! Twenty-two mushers finished that year and to date, there have been over finishers. We brought the sled dog back and increased the number of mushers.
It is really an Alaskan event. I think the fact that it starts in Anchorage and then ends in Nome has opened up a whole new area for people in Alaska. I think they appreciate that. It puts them in touch with the pioneer spirit. Reprinted from Iditarod Annual, by Dorthory G.
Joe Redington, Sr. Someone gave Joe a sled dog pup. Perhaps it was a sign that he would launch a new career in Alaska dealing with raising sled dogs, racing, and promoting racing. Redington headed for Knik to check on homestead land. Soon after he arrived in the scenic spot overlooking Knik Arm of Cook Inlet, he chose his land and filed on a homestead.
A Dog's Way Home
On his second day, Joe shot a black bear for meat. Also, three old-timers, Heinie Snider, Fred Hurd, and Jay Lavan, brought him pounds of potatoes and a sack of canned goods. It was their idea of a welcome and extending a helping hand to a new Alaskan. Joe never forgot their kindness. But he was well on his way to being an Alaskan. Soon, Joe had his homestead cabin built and had acquired more sled dogs. By his second year in Alaska, he had over 40 dogs. It appeared even then that dogs would be big in his future. Perhaps because of his early upbringing, Joe took naturally to raising sled dogs.
He lived in Oklahoma with his father and brother until he was six years old. His father was a farmer, rancher, and an oil field worker, among other things. At the age of 10, Joe, his Dad and brother joined a group of Irish gypsies traveling throughout the central part of the United States.
In , the Redingtons moved to Jersey City, N. They later moved to Kintersville, Pennsylvania, where they settled on a farm. It was in Kintersville that Joe first met Violet — who was to become his wife many years later. In , Joe enlisted in the U. He went back to Kintersville, Pennsylvania.
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He sold Jeeps and farm machinery to help raise money for the trip. He obtained a special job with the U. Air Force, th Maintenance and Supply Group — commonly known as Rescue and Reclamation — whose main concern was the recovery of wrecked aircraft and the rescue of service personnel; or the bringing out of their remains. From to , Joe and his dog teams brought out millions of dollars of aircraft and hundreds of U.