Read e-book Running from Giants: The Holocaust Through the Eyes of a Child

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How ackermanmaya started their book cover journey
  1. Denying the Holocaust
  2. Find a copy in the library
  3. Representations of the Holocaust in Children's Literature |
  4. Holocaust memoir book cover

Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. The story opens with Srulik Ackerman enjoying a peaceful childhood in the Polish town of Nowosiolki, until the Nazi whirlwind blows in leaving ten-year-old Srulik suddenly and brutally alone. An eyewitness to the horrors of the Holocaust, Srulik narrowly escapes death several times, only to make a final desperate bid for freedom during a fiery revolt in the ghetto.

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Margareta Ackerman was astonished when she learned that her grandfather, Srulik, was a Holocaust survivor. How had he overcome the past with his cheerful attitude and timeless smile intact? In Running from Giants, she retells his amazing story, with its profound message about the incredible strength of the human spirit. Get A Copy. Paperback , 86 pages. More Details Original Title. Other Editions 2. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Running From Giants , please sign up. What is the lexile level for this book?

Interested in using this with my seventh graders during our Holocaust unit. Also, would you consider this book nonfiction or historical fiction? Margareta Ackerman Hi Sheena, These are great questions. The book was especially written to be suitable for middle school children and up , and is currently in use at …more Hi Sheena, These are great questions.

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The book was especially written to be suitable for middle school children and up , and is currently in use at several middle schools. The writing style, brevity, and illustrations make it a particularly good choice for introducing the Holocaust to students. It falls under nonfiction.

If you have any additional questions, or for bulk orders, feel free to contact runningfromgiants gmail. See 1 question about Running From Giants…. Lists with This Book. Community Reviews. Showing Rating details. More filters. Sort order.

Nov 29, Karen rated it it was amazing. This book is short but packs a punch. The story of year-old Srulik's running away in plain sight and evading the Nazis that killed the rest of his family would be almost unbelievable were it not for the evidence of his survival embodied in the author and in her book. Written as a granddaughter's retelling of her grandfather's memories, it gives modern readers a way in to another time and place.

Denying the Holocaust

The story reads like a fairy tale, and the excellent illustrations add to the overall mood. The time This book is short but packs a punch. The time described before the Nazis come feels cyclical, archetypal. But it is not Eden. When the brothers are very young, around 7 years old, Srulik's twin dies of an infection that he accidentally acquired while playing in the very forest that would later shelter and hide--and save--Srulik. This experience stands in chilling counterpoint to the future deaths that Srulik witnesses at the hands of the Nazis.

The Nazis break into the story, an evil out of time, until they too become part of the forbidding landscape: footprints, giant Orwellian boots crushing human dignity. While this book may bring the reader to tears, it is not something that I would forbid a child of any age from reading if he or she showed an interest. Srulik makes little attempt to understand the origins or the banality of the evil he encounters, in this way he remains innocent.

The story of his survival is inspirational in part because anyone might have been able to do what he did. He was special in the way that all children are special, and from his granddaughter's telling, he remained that way throughout life. He also meets many helpers along the way: good people who give him food, clothing, and shelter at great personal risk. Holocaust survivors and their stories are passing quickly out of our time.

Books are still the best and really the only way we have to keep their stories alive. View 2 comments. Nov 15, Michael rated it it was amazing Recommends it for: Anyone. This one really surprised me. It has the intense, powerful directness of Night with the artistic creativity of Maus. The story is deeply touching. But, unlike many other books on the subject, Srulik that's his name comes out of it all surprisingly psychologically healthy, and goes on to be a cheerful human being.

The art is exceptional.

Find a copy in the library

It starts off fairy normal but quickly gets intense and surreal. The pictures stayed in my mind for days. I really enjoyed reading this book. It is a must read for anyone interested in this subject, whether you have already read many books on it or not. May 10, Yael Shahar rated it it was amazing Shelves: holocaust-memoir.

Running from Giants is a different kind of memoir, a story of events that no child should ever endure or witness, told simply and clearly. We follow you Running from Giants is a different kind of memoir, a story of events that no child should ever endure or witness, told simply and clearly. We follow young Srulik from the idyllic memories of a childhood in the countryside to a confused world ruled by giants, where every adult may become a betrayer.

From the forests where he had played with his brothers to the prison of the ghetto, Srulik lives by his wits, his luck, and—more than once—the unexpected kindness of others.

Representations of the Holocaust in Children's Literature

Events which at the time would no doubt have been lived in a jumble of confusion and fear now stand out starkly against the background. The reader is led through one miraculous escape after another. They were one-miracle short of survival. But what also comes out in this stark narrative is that very often it was not miracles that saved Srulik. Rather, it was something even less predictable than chance: human kindness. Time after time, Srulik lived another day because some nameless individual chose to do the right thing. This crucial thread of kindness seems to me the real lesson—if one can dare to draw lessons from such a dark time.

How many others would now be telling their stories to their grandchildren had one person along the way done the right thing, rather than the easy thing? This is something to think about whenever we feel that nothing we do can make a difference. For Srulik, it made all the difference in the world. It's written by the survivor's granddaughter, and gives us a bit about her relationship with her grandfather, which helps lighten this heavy topic. She also talks about his happy attitude towards life after the war, adding a whole other dimension to the story. The illustrations in this book are phenomenal.

I've never seen anything like this. The Nazis are shown as giants, making for a great analogy. But not only that, the art is very deep - many illustrations have multiple interpretations. So tak It's written by the survivor's granddaughter, and gives us a bit about her relationship with her grandfather, which helps lighten this heavy topic. So take your time when you look at these pictures! Even if you've read many books on the subject, you've never read anything like this.

An incredible story, creatively delivered and illustrated. Highly recommended. Jan 29, Linda Marie Marsh rated it it was amazing. Amongst the guests of honour were Neville and Doreen Lawrence, the parents of murdered black teenager Stephen Lawrence, whose well-publicised presence was a stark reminder that racism did not end in or stop at the English Channel.

However, to ensure the broad relevance of the Day, while avoiding a parade of undifferentiated horror that would confound the capacity to identify with the suffering of others, the advisory group working with the Home Office agreed to focus on genocides committed since , and either recognised as such by the UN Convention on Genocide or otherwise undisputed. The day acted as a lightening conductor for debates about genocide, which was exactly what it was supposed to do. It raised issues that disconcerted the Foreign Office, but this outcome was anticipated within Government more generally as an inexorable and acceptable, even desirable, outcome.

Lessons in countless schools, aided by an excellent Education Pack distributed by the Department for Education, activities sponsored by local authorities, and the volume of coverage in the media also had a significant impact. Here the Guardian got it right. By drawing attention to the racism that underpinned diverse Nazi policies of discrimination and destruction, HMD was not simply about Auschwitz. It showed how others suffered in parallel with the Jews, linking the Nazi genocide to forms of bigotry and disadvantage that are still widespread and mar our own society.

Certain commentators, like Nick Cohen, nonetheless had good sport using HMD as a stick with which to beat the Government for its asylum policy. But this was hardly unexpected. Inside Whitehall it was felt that the robust discussion of refugee issues was a legitimate, even commendable, way of commemorating the Holocaust.

Whether the memorialisation had any concrete effect is hard to say, but it is noticeable that David Blunkett MP, who as Secretary of State for Education was drawn into the preparations for HMD, took important steps to reform immigration controls when he became Home Secretary. The idea is to demonstrate that the persecution and mass murder of the Jews and Nazi racial-biological politics impinged significantly on British history and raise issues which are of acute contemporary relevance.

HMD will show how refugees from Nazism and survivors made their homes here and the role of British troops in saving the remnant of European Jewry.

Representations of the Holocaust in Children's Literature |

The national memorial ceremony will be held in Manchester, which will lead to powerful connections being made between racism and intolerance in the Nazi era and the racist, homophobic, anti-democratic forces that so recently manifested themselves in the North West. Educational initiatives are being designed to provoke a searching inquiry into how British governments, the media, and the public have responded to racism and the influx of refugees, and how society reacts to these issues today.

The evolution of Holocaust Memorial Day bears out their caveat and the need for historians to maintain a wary posture towards communal or state commemorations. This is even more pertinent because, as a result of the terrorist attacks in the United States on September 11th, , Holocaust Memorial Day, like Remembrance Sunday, has been freighted with new and ever more urgent messages. With its compelling message of anti-racism, tolerance, and pluralism, it is seen as a useful way to combat Islamophobia and reassure British Muslims.

British policy in Palestine in the s and s, and the treatment of Jews seeking refuge there, is only one of many contentious issues that will be raised by HMD Already a symposium held at Southampton University, with the support of the Home Office, has exposed the lines of dissension that are bound to attract attention. At the symposium, Bill Williams, a historian of the Jews of Manchester and the moving force behind the Shoah Centre, highlighted the widespread practice of dehumanising immigrants and refugees that has continued from the turn of the century and which frames the response to every new influx.

I also cited the recently declassified intelligence documents which indicate that the British Government knew about the mass murder of the Jews at an early stage of the genocide and possessed the potential for bombing Auschwitz as early as Donald Bloxham drew on his research into the British-mounted war crimes trials, the subject of his book Genocide on Trial , to illustrate how retribution was no less ambiguous and how it, too, skewed the historical record. A concrete example of how Britain belatedly came to terms with its relationship to the Nazi assault on the Jews was provided by Suzanne Bardgett, the head of the Holocaust Exhibition at the Imperial War Museum.

Holocaust memoir book cover

As the contributions to the symposium suggest, in January , fifty-seven years after the end of the war, Britain will be brought face to face with some disturbing aspects of its history. Controversy will not stop with disputes over the national heritage: Nazi racial ideology and the response to Nazi barbarity find their echoes in Britain today.

Many Jews feel distressed that, having universalised the meaning of Jewish torment at the hands of the Nazis in order for it to be heeded beyond their own community, its true meaning has been submerged. Who will address these anxieties and will HMD rise above polemic to the level of constructive dialogue?