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Edizione originale, non comune, soprattutto quando completa di tutti i 6 volumi. The last two of the whore's dialogues : specially interesting for their references to the symbolism of Tarot. Published by [London, John Wolfe] About this Item: [London, John Wolfe], Andrea de Melagrano'. Roman letter. Medallion woodcut portrait of author with legend 'D. Petrus Aretinus Flagellum Principum' on both titles, some ornamental woodcut initials.
First edition to include the last two of the whores dialogues the dialogue of courts , and the dialogue of games , considered as especially outrageous, completing Aretino s evocative, stylish street commentary on low life in Renaissance Italy. The work was edited by the London printer John Wolfe d.
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Wolfe had set up a press near St Paul s, London, to produce piracies of books prohibited in Italy to sell them in continental Europe and was imprisoned for this in As explained in the printer's preface to the reader, this 3rd part of the Dialogues was published as a supplement to his collected edition of The volume is continuously foliated and divided into 2 parts: the first 66 leaves contain the 'Raggionamenti de la corti', the second part has the title 'Raggionamenti. For a detailed description of the medallion portraits used as title illustrations, see R. A good copy; light toning and traces of usage to one or two pages at beginning and end, an old stain at lower margin of folio Old ownership inscription on title?
Cuberti Sartorii. Jahrhunderts, Roman and italic type. Titles of first two parts, the Ragionamenti, with typographical ornaments; La Puttana Errante with half-title and title with no bibliographical information, small floriated woodcut initials, grotesque tail pieces, typographical ornaments.
In fine contemporary vellum over thin paper boards, yapp edges. Very rare marginal spotting in places.
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Small cracks to upper joint. A fine copy, crisp and clean. Willems convincingly argues in his lengthy descriptions of this work, that of the two separate editions, the first was printed at Leiden by Jean Elzevier, and the second was printed eight years later by Daniel Elzevier at Amsterdam. The first edition of La Puttana Errante, in 54 pages, was added at the end of some, but by no means all, copies of the first printing of the Ragionamenti. It was however clearly intended to be an integral part of the first edition as it is printed on identical paper, using the same type, with the same number of lines The second edition of the Ragionamenti was set up nearly identically to the first, but the second edition of the Puttana Errante was reset in 38 pages.
Willems resolved the priority between the two editions by comparing the type and ornaments, and concluded that the second edition must have been printed in , as it appears in Daniel Elzevier's catalogue of with that date, which he believes was most probably the correct date of printing.
The printing of the first edition is finer than the second "La plus belle" - Willems , and is easily identified by the finer type, which uses an elongated form of the letter x. Giulia claims to be by Aretino and follows the same dialogue form as the Ragionamenti in which the elder woman takes the greater share: but it is almost entirely devoted to Madalena's sexual autobiography as a thread on which to hang most of the possible positions for sexual intercourse.
It is the first imaginative prose work which deals directly and exclusively with physical sexual satisfaction, though this is garnished rather sparsely with some moments of emotion and glimpses of ordinary life. It ends with a named catalogue of thirty-five postures, which explains why sets of plates became associated with it; it might originally have been written as an explanatory text to pictures, but its origins are obscure. Modern authorities all agree that it is not by Aretino, and the first edition under this title seems to be an undated Elzevir edition, printed to accompany a new edition of the Ragionamenti in The appearance in London of John Garfield's periodical The Wandering Whore at the end of tends to confirm that date, for evidence over the next hundred years shows a very brief time lag between a Continental publication and its English repercussion.
Garfield's work had no connection with the text of La Puttana Errante: he was clearly cashing-in on a new and notorious title" Foxon pp. The influence of La Puttana Errante was enormous and the book seems to have been very widely read, including in England, although no 17th century English translation is known to have survived.
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Die Gesprache 2 volumes Aretino, Pietro [Dr. Opere religiose. Verdeutscht von Heinrich Conrad.
PDF Opere (Classici della religione) (Italian Edition)
Erster und zweiter Band cplt. Vorwort von Hermann Kesten. Aretino, Pietro: Published by Gala Verlag. I Modi. Nachgedichtet und mit einem Essay versehen von Thomas Hettche. Del primo libro de le lettere di M. Pietro Aretino; Il secondo libro de le lettere di M.
Del Primo -sesto libro de le Lettere di M. Pietro Aretino. La Terza, et ultima parte de Ragionamenti.
The last two of the whore's dialogues : specially interesting for their references to the symbolism of Tarot Published by [London, John Wolfe] Create a Want Tell us what you're looking for and once a match is found, we'll inform you by e-mail. Write a customer review. Amazon Giveaway allows you to run promotional giveaways in order to create buzz, reward your audience, and attract new followers and customers. Learn more about Amazon Giveaway. Set up a giveaway. There's a problem loading this menu right now. Learn more about Amazon Prime. Get fast, free delivery with Amazon Prime.
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Amazon Music Stream millions of songs. In a series of lectures, given in Bologna in ,  he first expounded his theory on the circular movement of philosophical thought between Italy and Europe. Although the accepted view then was that Italian philosophy had always remained loyal to the Platonic-Christian tradition, Spaventa sought to demonstrate that modern, secular, idealist, philosophy had originated in Italy, even though it had reached its highest form in Germany. He attributed the sorry state of philosophy in 19th century Italy to the lack of intellectual freedom following the Counter-Reformation, as well as to the oppression of despotic rulers.
Spaventa spread the influence of Hegelian Idealism in Italy:   his work influenced profoundly Giovanni Gentile ; Benedetto Croce , who moved in with Silvio Spaventa after his parents had died, attended Bertrand's lectures, liking them particularly for their liberalism.
He supported secular policies, linked to a strong feeling for the state,  based on universal suffrage. From Wikipedia, the free encyclopedia. Bertrando Spaventa.